Monday, January 10, 2011
You look at the stunt riding videos and you admire the sheer talent. You wish you could ride like that and somewhere deep down you grudgingly accept that you probably never will be able to. “These stunt rider dudes really are something else,” you think. Only, in this case, there is no ‘dude’ in the video (scroll down for the video). It’s a 20-year-old girl. And, boy, can she ride!!
Based in London, Francesca 'Chesca' Miles is the UK’s only female professional motorcycle stunt rider. She’s only been stunt riding for the last six months but look at pics and videos of her and you’d think she’s been stunt riding for years. Suitably impressed, we decided to catch up with her for a quick chat. Here are some excerpts from what Chesca had to say:
On her company, Stunt Starz
Stunt Starz is a streetbike freestyle team based in London and consists of two riders – Alstar and I. We started the team back in 2009 as a two-up duo team, as I wasn’t riding then! After I came to learn on my bike, we became a two-rider team. We perform at live shows and gigs around the country and constantly work hard on trying to promote Streetbike Freestyle as a more recognised sport.
On the highs and lows of the last few months, since she started stunt riding
I have only ridden my Honda CBR600 for about 4-5 months. Haven’t been riding during the cold months. Therefore I haven’t really had long enough to say too much. However, I have found the pressures of riding do catch up. Being a female in this sport is quite hard. Females require a little more encouragement and support, of which I don’t really receive from others in my sport. That’s probably the hardest thing about it all, but just got to keep on going, no matter what. The highs, however… well, they are simply stunting itself. What an amazing feeling it is and a pleasure to be doing so!
On whether motorcycle stunt riding all about inborn talent, skills acquired through endless practise or sheer fearlessness
Stunting does take a proportion of talent, yes, but anyone can learn it, really. It is more about learning how to control your bike and not about trying to do things out of your comfort zone. It takes a long time to achieve each single step, but once you are there, it is very worth it! You do have to have an element of fear. That way, it will hold you back from trying to run when you must walk first – this makes for a better rider in the long run!
On whether the difference in physical strength, between male and female riders, makes a big difference in stunt riding
I don’t think it makes a huge difference but, yes, it does slightly. Having a 600cc machine to shift about isn’t an easy thing at times and I often find strain on my back and arms where I have tried to move the bike etc. Although, most of this sport is about having the machine at ‘Balance Point,’ and the bike becomes completely weightless when there. The more you keep it inside ‘BP’ the easier it becomes.
I don’t necessarily follow a regime for fitness as stunt riding itself tends to be just that. I do, however, do yoga when I train. That way, I can keep as flexible as possible.
On what her friends and family had to say about her decision to start stunt riding
My family, well, they didn’t really say too much to be honest. Although I heard muttering here and there that perhaps they thought it was cool and maybe dangerous, they never really said anything. They were not as supportive as I had imagined, nor encouraging. As for other male riders, some are highly fascinated and want to know lots about it (ha ha!) and others, well they are simply not very interested! But, the majority of men are highly intrigued by what I do, which is flattering to say the least.
On whether she’s a deeply competitive person
I am not really competitive, no. I did want to race motorcycles when I was around 14 years old but again I didn’t receive any support from my family so had to sell my RS125 to someone who’d be able to use it. I have quite a competitive streak when it comes to Go-karting though. I must admit, I’ve always had a little passion for it since I was around it most of my life whilst growing up!
On her work away from motorcycle stunting – modelling and music
I do modelling work on a part-time basis now. I used to model full-time but with the business, I wouldn’t be able to keep up with everything and stunt riding is my number-one priority (apart from my singing). So, as for singing, I usually jam with my band a few times a week and we hit live music venues every week as well to jam. Music is my first love. I have been into my music and singing since I was very small. I had bands and live gigs from when I was about 10 years old. I manage to fit everything quite nicely around my schedule which is great but it is gradually getting more and more full!
On what really makes her happy
I will always sing – that is my main aim, to hit live venues and share the music with people, as well as acting. As for stunting, well, that too. I love it so much and it really is the way for me to de-stress and wind down. Those things together are definitely the careers I will never lose from my life. As for modelling, well, that isn’t something I really enjoy. It isn’t really me and just something I was pushed into at a young age. I would love to carry on a career within television and media.
On what’s her dream bike
Errrm, silly as it may sound, the Honda CBR1000RR is my favourite bike. I can’t answer why; it just has been since I was about 15 years old. I guess that may never die!
Some of Chesca’s favourite things:
Streetbike: Honda CBR-F / Kawasaki 636
Racebike: Honda CBR1000RR
Stunt rider: Jorian Ponomareff
Motorcycle racer: Valentino Rossi
Music: Jazz / Blues
Movie: The Green Mile / We Were Soldiers
Drink: Pure orange juice / Tomato juice (with Tabasco, yum!)
Fashion label: Jane Norman
Holiday destination: Bahamas
We thank Chesca for taking the time to talk to Faster and Faster and wish her all the very best for her career. You can visit her website here and follow her on Twitter here. Please also visit the Stunt Starz website here
Saturday, January 08, 2011
"Trying to shoot hungover, with a 130db racebike invading your eardrums, is not a good idea," says Martin Heath, who travels the world shooting MotoGP pics. Below is a small selection of his work...
Martin Heath, who’s been a professional photographer since 1998, specialises in our most favourite sport in the world – MotoGP. For the last three years, Martin has been travelling to every single MotoGP race around the globe to shoot pics, and his list of clients includes many leading motorcycle publications worldwide.
Martin, who’s now about 30 years old, got started with cameras when he was just nine years old. ‘Always been quite arty and creative at school, so rather than become a painter or sculptor etc., I got into photography. As a kid, I thought it was way cooler to have a gadget than a paintbrush or a pencil,’ he says.
We thought anyone who travels the world shooting pics in the high-speed, high-stakes world of MotoGP would definitely have some interesting tales to tell. So we caught up with Martin for a brief chat. Here are some excerpts from what he had to say:
On how he got started with shooting motorcycle racing pics
Started with British Superbikes back in 2000. Then started attending the odd MotoGP race, starting with the British GP and Donington Park from 2002. From there, mainly all the European MotoGPs, and then for the last three years, every MotoGP race. Why bikes? Because I was born into a family of motorcycles. My Dad had two when I was born and I remember going to Brands Hatch when I was four or five years old, in his sidecar.
On the unique challenges of shooting pics in MotoGP
Very little can be controlled and 95% of the time you are shooting with what’s given, i.e., a set time, place, weather etc. So, generally, you have to deliver – you can't go back and just redo it all like working in a studio.
On the photographic equipment he uses to shoot his pics
All Canon EOS1D mk2n bodies, as I still believe that for what I do it's the best body Canon have made. 500/4 IS USM is the main workhorse lens, along with 70-200/2.8 IS mk1, but looking at upgrading to the new mk2. 16-35/2.8, 14/2.8 and x1.4mk2 converter. Also use a 15/2.8 fisheye. Canon flashes, 580ex.
On the experience of travelling to every MotoGP race every year
I do every MotoGP race in a year – eighteen. And between March and November, I probably spend more time in the paddock at a racetrack than anywhere else. It’s like my second family, so it's always good to catch up with everyone.
On the best and the worst tracks for shooting pics
For atmosphere, the best tracks are those with the biggest crowds on race days, so Mugello (Italy) for the Rossi factor. Next year will be off the chart as he's on a Ducati now! And Spain – Jerez and Valencia. Shooting wise, Mugello and Jerez are high up there as my favourites, but also probably Phillip Island in Australia (we go there in their springtime, so it can be freezing!), because the air is so pure and unpolluted there, it gives a really nice, crisp, saturated image.
The worst are probably Silverstone and Indianapolis, just because of the lack of access and how far the track is away from where you shoot from.
Best experiences? Probably being there when Rossi won his first race for Yamaha at Welkom, in South Africa, in 2004. Also, any Rossi victory at Mugello!
On what’s the best place for having a wild time, and what place has the hottest women and the best food, parties etc!
I'd imagine most of the fans get the ‘wild time' rather than us, who work there! Trying to shoot hungover, with a 130db racebike invading your eardrums, is not a good idea! Best food? Italy, without question! Women? Spain, Italy and USA. Parties? Only really have one big organised party for the whole paddock, after the last race at Valencia, which starts at midnight and runs to about seven in the morning. With a free bar. That can get interesting! Dullest? Hmm..., not very fair but probably Qatar, as there is generally an alcohol ban, there is no crowd there and the food is not great.
On which racers are the most cooperative and fun to shoot with
Usually the most cooperative rider is the one that has been told you are shooting them by their team or sponsors! But the easiest and friendliest are ones that you probably have the best relationship with. Nicky Hayden is great and he’s always funny and amusing to be around. And all the Brits, so Cal Crutchlow, Scott Redding, Bradley Smith, Danny Webb and Danny Kent. There are some prima donnas, but my lips are sealed – I will have to work with them again after they read this!
On whether sports photography is a good way to make tons of money
No, it's definitely not a good way to make tons of money! Nobody who works regularly at MotoGP is ‘rich,’ and that includes most of the riders! However, I have no real regrets apart from the fact I would have liked to have started earlier.
On whether he loves bikes
Yes, the majority of people that work full time at MotoGP, I would say have a real passion for it. You need to! That's the main perk! It's not always as glamorous as it sounds though. I started riding bikes at five. Did some trials riding and motocross, then started roadracing at 16. I did a few years racing production 250s, but ran out of money pretty quickly. Now I prefer to go motocross or enduro. In fact I've just got back from spending new years, riding Suzuki's 2011 RMZ250 and RMX450 dirtbikes, and I would like to get a new trials bike this year.
On what’s the fastest he’s ever ridden
On a bike, I've been up to about 240km/h, but I'm not telling whether that was street or track!
On his favourite MotoGP title contender for 2011
My head says Casey Stoner on the Honda. I was there at Valencia at the end of last year, when Casey was just completely drifting the RCV through the long left that leads into the last corner, after only about six or seven laps on that Honda. My heart says Rossi on the Ducati, because it will be the final piece of the jigsaw for his amazing MotoGP career. But I also think Lorenzo will be as tough or tougher defending his crown, and Ben Spies will win races. But ultimately it will boil down to consistency and who avoids injury. On paper, it could be the most exciting season since we moved to MotoGP!
We thank Martin for taking the time to speak to Faster and Faster, and we wish him all the best for his MotoGP photography. For more about the man and his work, please visit Martin’s website here and his Facebook page here
Andrew Wheeler owns the copyright to Martin Heath's photograph (used on top)
Update: Limited Edition VR46 MotoGP Prints available
Martin Heath is now releasing a series of limited prints in the run-up to the lights going out for the start of the 2011 MotoGP season.
First up in the series is this double-whammy of stunning shots of Valentino Rossi during his last season on a Yamaha. One print is from Laguna Seca’s Rainey Curve, with Rossi and his M1 draped in the special one-off Fiat 500 ‘Fans Faces’ livery. The second crystal clear image hails from Phillip Island, showing Rossi’s commitment as he peels into the infamous Lukey Hieghts.
Available as large format A3 (11.5”x16.5”) prints on either gloss or museum etching quality paper, using Canon pro inks and Canon pro paper. The VR46 prints will be limited to just 46 copies worldwide, so don’t hang around and get your order in sharpish!
Price: Gloss $110 inc p&p, Museum etching $130 inc p&p
t: +44 (0)7977 596 164
f: Martin Heath Photo.com
Friday, January 07, 2011
Keith Code says that the art of cornering a motorcycle has already evolved through four complete phases, and phase five is now upon us. It certainly makes for interesting reading...
Motorcyclists love corners, right? Doing 300km/h in a straight line on a ZZR1400 is all very well, but riding a properly sorted NSR/RGV/TZ/RS250 through a set of mountain twisties produces a rush of adrenaline like nothing else on the planet. Some time back, Keith Code wrote a piece on the evolution of the art of cornering, which we thought was quite interesting. Here are some excerpts:
The evolution of the art of cornering has had four complete phases so far. The neat, tidy, knees-to-tank, stretched-out-on-the-bike style of the 19-teens through the 1960s was handed down as the path of least resistance. You could say it was the ‘natural’ style of riding.
Phase two. Mike Hailwood let his inside knee come off the tank in the 1960s and practically created a stock market panic in the riding style etiquette market – it was a huge departure from tradition. Paul Smart, Barry Sheene and others followed. Then, phase three, Jarno Saarinen actually moved his butt off the seat a bit, which was emulated by many.
The fourth phase is credited to and was pioneered by Kenny Roberts Sr’s knee-down, hang-off style in the 1970s. Initially this earth-shattering look was quite personal to the rider, each having his own iteration of the new form. Cal Rayborn and Kel Carruthers were halfway guys, still clinging a bit to phase two. Some others had lots of bum off, some with lots of leg and knee off, some rotated around the tank a la Mick Doohan. A few went head and body way down and on the inside of the tank, Randy Mamola style. Some hung-off but remained sitting more upright, like Kevin Schwantz.
The torso positions for the 500cc world champs of the era; Eddie Lawson, Freddie Spencer and Wayne Rainey, were half way between – on the tank but not inside it. Most of the originals also tended to ride forward on the tank and finally everyone was stationary in their hung-off position once in the corner. The neat part of that era, with all these splinter groups, was that a fan could have instant recognition of the individual’s style and look. Not so today, when phase five is upon us.
Conceptually, hanging off couldn’t be simpler. Lower the combined Center-of-Gravity (CG) of the bike/rider combination and you go through the same corner at the same speed, on the same line with less lean angle – a brilliantly utilitarian racer’s tool with huge residual benefits, chief among them being an accurate, on-board gauge for lean angle. And true to most evolutionary progressions, function now rules the new look and style of road racers.
Take a look – riders are low and inside of their bikes. More and more we see them perfectly in line with the machine, not twisted or rotated in the saddle. The bum off/body twisted back across the top of the bike positioning, which many phase four riders had been doing, was and still is an interesting piece of self-deception. With their torso mass on the higher side of the bike, it not only neutralizes the mass of the hips being off the bike but actually is a negative, raising the combined bike and rider CG, defeating the technique’s main function and purpose.
Other notable changes in phase five include not being so stretched out as before, but not always with the family jewels on the tank either. The one new variable in phase five riders is coming further off the bike mid-corner to exit. You’ll see it on the bum-cam position next time you watch riders like Rossi in MotoGP. That and the fore/aft in the saddle differences appear to be the only options available to phase five evolution racers.
We have five choices now in how we can look and relate to our bikes. If you keep your eye on the style’s function and do some limbering exercises, all the benefits of phase five will become apparent as you become comfortable with it. Is it easy? My experience says it is not a natural style at all and riders are hard pressed to assume the new form. If it is your desire to do it, I suggest taking your time and, step by step, experimenting with each of the stages through which it has evolved. Good luck!
For more of Keith Code’s motorcycle wisdom, you could order a copy of his new Twist of the Wrist II DVD and/or enroll for classes in the famous California Superbike School
Tuesday, January 04, 2011
Think the MotoMorphic JaFM is cool? You can have one, provided you're willing to shell out at least US$100,000 and above for the bike...
Pics: William Ross
We wrote about the MotoMorphic JaFM back in June 2008, when we published the first few pics of Jim Davis’ radical custom bike on Faster and Faster. Now, MotoMorphic have released more pics of the JaFM, which, with its outsized tyres and comically outlandish chassis, looks as over-the-top as ever.
Davis says the ‘inspiration’ for the JaFM came from streetfighters, fat tyres, American muscle cars and fighter planes. ‘Along with the massive visual impact of the MotoMorphic JaFM, there is a balance and congruity to the overall design. Overall, the bike functions exceptionally well, as a radical yet eminently rideable motorcycle that makes an undeniable statement about its owner and his/her individuality,’ claims the bike’s creator.
Oh, well, there’s more to the JaFM than its styling. The engine, for one. It’s a 998cc DOHC 8-valve Rotax V-twin, mated to a six-speed gearbox with a slipper clutch. The engine produces about 110bhp and 90Nm of torque, which we suppose should be just about adequate for a bike that weighs close to 250 kilos. Top speed is in excess of 160km/h and MotoMorphic admit that the JaFM is more about getting attention rather than going very fast. They also claim that the bike’s fully adjustable ergonomics make it quite comfortable to ride.
If you want a JaFM, MotoMorphic will tailor make one for you, though with a base price of US$100,000 you’d have to want one pretty bad. The bike comes with high-spec components: fully adjustable Ohlins fork and Penske shock, Brembo brakes, Dynojet Power Commander III with optimised mapping and optional bits like carbonfibre bodywork and components, Ostrich or Stingray hide upholstery, various CNC-machined aluminium bits, stainless steel brake and clutch lines, wave rotors, a rear-view camera system and many other toys.
Here's a video of the JaFM in action...
For more details, visit the MotoMorphic website here
Monday, January 03, 2011
The Münch TTE-1.2 won the 2010 TTXGP world championship and the manufacturer's title in the 2010 FIM e-Power race series. They are now preparing for the 2011 season...
Those who’ve been following the electric bike racing scene would probably know that in 2010, a legendary German company won the 2010 TTXGP world championship and the manufacturer’s title in FIM’s newly set up e-Power series. That company is none other than Münch, which was established in the mid-1960s by one Friedel Münch, who went on to build the absolutely outrageous Mammut TTS-E and, later, along with Thomas Petsch, the equally outlandish Mammut 2000.
You can read about the old Münch Mammut here, but this story is about Münch’s comeback vehicle – the TTE-1.2 racebike. The old Mammut was a pretty radical machine for its time, and by eschewing the internal-combustion engine in favour of an electric motor, the TTE-1.2 follows in its footsteps. The TTE-1.2 is fitted with a lithium-ion battery pack that powers its three-phase synchronous motor, which produces 90kW (120 horsepower), which is sufficient to push the 220-kilo bike to a top speed of more than 200km/h. The TTE-1.2’s range, depending on how hard the bike is ridden, is between 40-150km.
Münch have engineered the bike to exacting standards and they’ve fitted top-spec components to ensure the bike delivers very high levels of performance on the track. The TTE’s Öhlins suspension, Brembo brakes and steel-aluminium spaceframe chassis (with 52/48 front/rear weight distribution) have all been extensively tested and optimised for high-speed performance.
The 40-year-old Matthias Himmelmann, the man who raced the Münch TTE-1.2 in the TTXGP and FIM’s e-Power series in 2010, is probably no Valentino Rossi. But he does having about 20 years of motorcycle racing experience. And he had some very capable people supporting his efforts on the track. In 2010, the Münch team consisted of Thomas Schuricht (automotive electrician), Marko Werner (automotive electrician and mechatronic engineer), Thomas Petsch (Friedel Münch’s erstwhile partner, hardcore motorcycle enthusiast, entrepreneur and owner of Münch Motorrad Technik GmbH), Ralf Ernst (handles administration, organisation, sales and marketing for Münch) and Stefan Stepputtis (finance). By winning the manufacturer’s title in the e-Power series, this small team was able to keep the Münch name alive.
Today, the TTE-1.2 is a pure racebike but with fast-paced developments in battery and electric motor technology, Münch just might be able to do a street-legal version of the TTE in the not-too-distant future. And then, in deference to the Mammut heritage, they’ll probably build an electric bike with a dozen lithium-ion batteries, six electric motors (with each motor producing at least 100bhp), two-wheel-drive, computer-controlled air-suspension and hubless wheels... :-)
Welcome back, Münch!
Friday, December 31, 2010
‘I've got this thing I do to relax. I imagine I'm on my bike, and I just shift gears in my head. I did it just this morning in the shower. Then I caught myself – my bike doesn't do that anymore! It doesn't have gears. It doesn't even make noise. So I'm not dreaming in electric yet. I'm still dreaming in gas,’ said Michael Czysz, speaking to Motorcyclist magazine, when they interviewed Czysz for their November issue this year.
About five years ago, Czysz was working on the C1-990, a 990cc MotoGP prototype, which ultimately didn’t get a chance to get off the ground given MotoGP’s move to 800cc machines in 2007. The move also happened to coincide with a gradual, but steady, build-up of interest in electric bikes and electric bike racing. And Czysz decided to change tracks and build an electric racebike – the E1pc. ‘The change to electric was more about inevitability than opportunity. I realized almost immediately that everything we were trying to accomplish with the C1 project, we could do better with an electric bike,’ says Czysz, in the Motorcyclist magazine interview.
And indeed, Motoczysz did do very well with their electric racebike, with the E1pc winning the 2010 TTXGP at the Isle of Man. The Motoczysz E1pc is an impressive motorcycle all right. It is fitted with a DC, brushless, oil-cooled electric motor from Remy, which is fed by a pack of five lithium-polymer batteries and which produces 125 horsepower and a constant 343Nm of torque. The chassis is made of carbonfibre and the suspension comprises of a fully adjustable Öhlins shock at the rear and Czysz’s proprietary ‘6X Flex’ fork at the front. The bike rides on magnesium wheels made by Marchesini and the top-notch race-spec Brembo brakes (with monobloc radial-mount callipers at the front) provide impressive stopping performance – important for a bike that weighs 238kg, that can hit a top speed that’s in excess of 260km/h, and the price for which is estimated to be more than US$250,000.
You want fast? The Motoczysz is fast. The battery-powered bike hit a top speed of 261.82km/h at the Bonneville Salt Flats in August this year...!
Spanish magazine Solomoto recently had the opportunity to test ride the E1pc, and here are some brief excerpts from what they have to say about this digital racer.
Visually, the E1Pc looks like a shark, with a genetic code that’s deeply rooted in racing. In the place where you’d normally find an engine, there’s the bike’s removable D1g1tal Dr1ve battery pack. You have to get used to switching it on. There’s no noise or vibration – just a green light on the digital instrumentation that tells you the bike is ready to go. Twist the throttle and the E1pc lunges forward like a compact 600cc supersports machine. The riding position is very sporty, with high footpegs and low bars. Just like a proper racebike, of course.
On the move, the E1pc’s power delivery is straightforward, clean and uninterrupted. Acceleration is similar to that of a 600cc supersports bike’s, and spinning at 16,000rpm, the E1pc’s electric motor makes a Star Wars-esque whistling noise that’s strangely pleasant. However, the bike’s weight – all of 238 kilos – makes it a bit awkward and saps the rider’s confidence at high speeds. The bike has tight, aggressive steering geometry, but the weight – most of which is due to the batteries – stops the E1pc from being very agile.
Electric propulsion has some undeniable advantages – it allows you to concentrate fully on your lines and lets you open the throttle while exiting corners, without the added complications of having to worry about shifting gears. Just open the throttle and go!
Michael Czysz is now working on the 2011 E1pc, which will be lighter and more powerful than the 2010 version, and will also have better software controlling the bike’s D1g1tal powertrain. As it exists now, the E1pc is a bit heavy, very expensive and as yet unapproved for street use. It’s also very quiet, smooth, does not require any maintenance, does not pollute and offers performance that’s actually very impressive.
Coming back to the Motorcyclist magazine interview, ‘The work I'm doing with this motorcycle might someday actually make the world a better place,’ says Michael Czysz. Hmm..., you know what, it just might!
For the full feature, please visit Solomoto
Watch videos of the E1pc in action here
2WD AC Schnitzer Akrapovic all-wheel-drive AMG Aprilia Ariel Audi Avinton Bajaj Barry Sheene Benelli Bimota BMW Bosch Brammo Britten Buell Bultaco Cagiva Campagna Can-Am Carver Casey Stoner Chinese bikes Classics Concept Bike Confederate CRandS Custom-built Dainese Derbi Diesel Ducati Eddie Lawson EICMA 2008 EICMA 2009 EICMA 2012 EICMA 2013 EICMA 2014 EICMA 2015 Electric Ferrari Fischer flying machines Freddie Spencer Giacomo Agostini Gilera Harley-Davidson Helmets Henderson Hero Motocorp Hesketh Honda Horex Husqvarna Hybrid Hyosung Ilmor Indian Intermot 2012 Intermot 2014 Interviews Isle of Man TT Jawa Jay Leno Jeremy Burgess Kawasaki Kevin Schwantz KTM Lamborghini Lambretta Laverda Lazareth Malaguti Markus Hofmann Mick Doohan Mission Motors Mondial Morbidelli Moriwaki Moto Guzzi Moto Morini Moto2 Moto3 MotoCzysz MotoGP MotoGP-2007 MotoGP-2008 MotoGP-2009 MotoGP-2010 Motorcycle Design Motus MV Agusta MZ News Norton NSU Peraves Petronas Peugeot Photography Piaggio Porsche Quad Riding Impressions Roehr Ronax Ronin Rotary Royal Enfield Scooters Segway Shootouts Short Films Skills Specials stunt riding Supercharged Suter Suzuki Travel trike Triumph Turbo TVS Two-stroke Ural V10 V12 V4 V6 V8 Valentino Rossi Velocette Vespa Victory Vincent Voxan Vyrus Wakan Wayne Gardner Wayne Rainey Wunderlich Yamaha Yoshimura